OLIVER STONE’S LATEST film, “Snowden,” bills itself as a dramatized version of the life of Edward Snowden, the NSA whistleblower who revealed the global extent of U.S. surveillance capabilities.
Stone’s rendering of Snowden’s life combines facts with Hollywood invention, covering Snowden being discharged from the military after an injury in basic training, meeting his girlfriend, and training in the CIA with fictitious mentors (including Nicolas Cage’s character, most likely a composite of whistleblowers like Thomas Drake and Bill Binney). Snowden then goes undercover, only to see an op turn ugly; becomes a contractor for the CIA and NSA; and finally chooses to leave the intelligence community and disclose its vast surveillance apparatus, some of which he helped develop.
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