Tuesday, 4 April 2017

The Teflon Wars

Tomgram: Engelhardt, | TomDispatch



Demobilizing America 
A Nation Made by War and a Citizenry Unmade By It 
By Tom Engelhardt
On successive days recently, I saw two museum shows that caught something of a lost American world and seemed eerily relevant in the Age of Trump.  The first, “Hippie Modernism,” an exploration of the counterculture of the 1960s and 1970s (heavy on psychedelic posters), was appropriately enough at the Berkeley Art Museum.  To my surprise, it also included a few artifacts from a movement crucial to my own not-especially-countercultural version of those years: the vast antiwar protests that took to the streets in the mid-1960s, shook the country, and never really went away until the last American combat troops were finally withdrawn from Vietnam in 1973.  Included was a poster of the American flag, upside down, its stripes redrawn as red rifles, its stars as blue fighter planes, and another showing an American soldier, a rifle casually slung over his shoulder.  Its caption still seems relevant as our never-ending wars continue to head for “the homeland.”
“Violence abroad,” it said, “breeds violence at home.” Amen, brother.


The next day, I went to a small Rosie the Riveter Memorial museum-cum-visitor’s center in a national park in Richmond, California, on the shores of San Francisco Bay.  There, during World War II, workers at a giant Ford plant assembled tanks, while Henry Kaiser’s nearby shipyard complex was, at one point, launching a Liberty or Victory ship every single day.  Let me repeat that: on average, one ship a day.  Almost three-quarters of a century later, that remains mindboggling.  In fact, those yards, as I learned from a documentary at the visitor’s center, set a record by constructing a single cargo ship, stem to stern, in just under five days. 

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